Press & Announcements
Read the latest press coverage & announcements about Freeman's.
Read the latest press coverage & announcements about Freeman's.
Freeman’s, one of the nation’s leading auction houses, is pleased to announce the appointment of Matthew Stavro as Senior Specialist for Prints & Multiples.
On the same day that Freeman’s announced that the firm would rebrand under the historic name of Freeman’s, the firm held two auctions of Old Masters and 19th Century European Art auctions that exceeded expectations on its way to a $2.5 million day.
Freeman’s | Hindman, a leading U.S.-based auction house for fine art, luxury, and decorative arts, announces it is rebranding the company under one historic name: Freeman’s. The rebrand is timed to coincide with the 220th anniversary of Freeman’s founding in November 1805, when Tristram B. Freeman was appointed auctioneer for the City of Philadelphia by the governor of Pennsylvania. As a new brand entity, Freeman’s unites the rich history of Philadelphia’s leading regional auction house with the legacy and expertise of Hindman Auctions in Chicago and Cowan’s Auctions in Cincinnati. The combined entities merged operations in 2024 to provide auction, appraisal, private sales, and art advisory services to private collectors, estates, and cultural institutions. With locations in 16 cities across the U.S., Freeman’s is the auction house of choice for private and estate collections valued in the $1 - 5 million range. In the first half of 2025, the company reported an impressive 9 percent year-over-year increase in total sales, while maintaining an industry-leading sell-through rate of 89% and increasing its share of new bidders to 24%. “Our focused strategy on the resilient ‘middle market’ in the auction sector has enabled our company to move from strength to strength in 2025, even as the top end of the market contracted at the global level,” said Alyssa D. Quinlan, CEO. “As we rebrand the company to Freeman’s, we recognize the expertise, regional leadership, and trusted relationships that have contributed to our collective success to date, and will continue to guide our brand’s mission and values as we enter this new era.” 220 Years Under the Hammer In celebration of Freeman’s rebrand and milestone anniversary, the company’s social media platforms will highlight a selection of extraordinary and unexpected items the firm has been entrusted to sell over the past 220 years. The series features the surprising -- decommissioned World War I battleships, Philadelphia’s 19th-century Post Office building, and a rare copy of the Declaration of Independence found in a bookshop attic -- as well as the sublime, including luminous master works by Vincent Van Gogh, Pierre-Auguste Renoir, and John Singer Sargent. “Few auction houses can lay claim to such a rich legacy,” noted Quinlan. “As we lead Freeman’s into its next chapter, we plan to continue bringing art, history, and design to life, and connecting more people with exceptional objects like these for generations to come.” The new Freeman’s brand identity is being rolled out this week to its physical locations and across Freeman’s digital platforms, including an updated website, auction calendar, social media, and client communications. To experience the rebranded Freeman’s, visit freemansauction.com. Selected Auctions & Highlights Freeman’s hosts 140 auctions each year across 52 collecting categories. Among the first major collection sales and category auctions to be presented by the rebranded Freeman’s at its Philadelphia, New York City, Denver and Chicago salerooms this month are: • Old Masters and 19th Century Art (Philadelphia, Nov. 4) – A dedicated sale of a remarkable private collection, Echoes of the Past, features Old Master and 19th century paintings and drawings assembled over decades by a discerning European collector. • Western and Contemporary Native American Art (Denver, Nov. 6) – Anchored by two exemplary private collections of classic Western and Southwestern art. • American Furniture, Folk and Decorative Arts (Philadelphia, Nov. 12) - Annual fall auction led by the Marquis de Lafayette gold pocket watch dated1805. • Post-War and Contemporary Art (New York City, Nov. 14) – Featuring extraordinary contemporary explorations of classical portraiture by Kehinde Wiley, Mickalene Thomas, Alex Katz, Fritz Scholder, Andy Warhol and Gertrude Abercrombie. • European Furniture & Decorative Arts (Chicago, Dec. 10 & 12) - Two-day auction of elegant furnishings from ‘Camp Rosemary’, the home of noted philanthropist and avid gardener Posy Krehbiel. • Important Jewelry (New York, Dec. 11) –Jewelry from prominent collections and signed pieces by Bulgari, Cartier, and Tiffany & Co., to be offered alongside a collection sold to benefit Shriners Children’s Hospitals. • American Art and Pennsylvania Impressionists (Philadelphia, Dec. 7) - showcasing premier works from Proctor, Chase, Pyle, Wyeth, Bellows, the Averys, and a standout group of Pennsylvania Impressionists. Find Freeman’s complete auction calendar and schedule of exhibitions here. Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s | Hindman is pleased to present Antiquities and Ancient Art: Including Property from the Estates of Andrew C. Ware and Iris C. Love (Sale 6428), taking place Wednesday, November 19, 2025, at 10:00 a.m. CT. This season’s sale features material from two distinguished estates. Andrew C. Ware (1945–2024), an Egyptologist and dedicated student of Christiane Desroches Noblecourt, built a collection that reflects both scholarly inquiry and personal passion. His holdings include Egyptian works preserved in private hands for decades, enriched by the depth of family history and intellectual curiosity. Iris Cornelia Love (1933–2020), the celebrated archaeologist whose excavations at Knidos and Samothrace brought her international recognition, also assembled a collection that blended academic rigor with flair. “It’s a thrill to present the Iris Love collection,” said Jacob Coley, Vice President and Head of Antiquities & Ancient Art. “Following years of museum study and institutional loans, these pieces return to the spotlight for a new generation of collectors.” The Estate of Andrew C. Ware (1945–2024) (Lots 1-28) A devoted Egyptologist and student of Christiane Desroches Noblecourt, Andrew C. Ware assembled a collection that unites intellectual rigor with personal passion. His works—many held privately for decades—reflect both his academic pursuits and family legacy, offering fresh insight into Egypt’s artistic and spiritual traditions. The Estate of Iris Cornelia Love (1933–2020) (Lots 187-219) Iris Love with Aphrodite Archaeologist and collector Iris Cornelia Love, described by The New York Times as “Indiana Jones in a miniskirt,” led excavations at Knidos and Samothrace and was among the first women to receive Turkish excavation permits. A charismatic scholar and cultural figure, Love brought ancient art to life for new audiences. Her collection, portions of which were on long-term loan to The Metropolitan Museum of Art and the Brooklyn Museum for over three decades, demonstrates her extraordinary connoisseurship and deep personal engagement with classical antiquity. Auction Highlights Lot 36 | Egyptian Painted Limestone Noblewoman (Old Kingdom, 5th–6th Dynasty) Estimate: $80,000 - 120,000 Towering over 18 inches, this finely modeled figure exemplifies the Old Kingdom’s devotion to lifelike presence and eternal commemoration. Held in European collections since the 1970s. Lot 77 | An Over-Lifesized Roman Marble Torso (2nd Century A.D.) Estimate: $60,000 - 80,000 A commanding over-lifesized torso, nude but for a chlamys draped over one shoulder and a balteus (sword strap) crossing the chest, likely from a statue of an idealized hero or imperial figure. The dynamic stance and muscular modeling reflect the celebrated “Cumae-Munich Diomedes” type, inspired by Kresilas’ fifth-century B.C. statue of Diomedes. Exemplifying Hadrianic ideals of strength and restraint, this work has remained in a Chicago collection since 1989. Lot 45 | Egyptian Bronze Cat (Late Period–Ptolemaic Period) Estimate: $30,000 - 50,000 Compact and graceful, this bronze feline embodies Egypt’s spiritual reverence for animals. Retaining a rich ancient patina, it was last seen at auction in 1987 and has been privately held for nearly forty years. Many of these works have been unseen by the public for a generation, offering collectors and scholars a rare opportunity to engage directly with objects of remarkable beauty and historical importance. Antiquities and Ancient Art: Including Property from the Estates of Andrew C. Ware and Iris C. Love reaffirms Freeman’s | Hindman’s ongoing commitment to presenting collections that connect audiences with the enduring legacy of the ancient world. Additional Highlights: · Lot 55 | A Cycladic Marble Female Torso | Estimate: $50,000 - 70,000 · Lot 91 | The Gréau Goddess | Estimate: $80,000 - 120,000 · Lot 152 | A South Arabian Alabaster Standing Worshipper | Estimate: $30,000 - 50,000 · Lot 160 | A Sumerian Copper Bowl with a Procession of Animals | Estimate: $25,000 - 35,000 Additional Highlights will be included in Antiquities, Fine, and Decorative Art: Including Property from the Estates of Andrew C. Ware and Iris C. Love Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s Impressionist and Modern Art sale on October 28 achieved impressive results, realizing more than $3.1 million with an 84% sell-through rate by lot.
On November 14, Freeman’s | Hindman will offer 57 works spanning painting, sculpture, works on paper, photography, and prints in its New York Post War & Contemporary Art auction. The sale offers engaging and meaningful entry points for both seasoned connoisseurs and emerging collectors, and is anchored by two sophisticated, single-owner sessions: Property from a Distinguished Private Collection, Florida and The Collection of Dr. Gary London, Washington, D.C. Together, these collections provide a cohesive foundation for the sale, which is thematically unified by fresh and varied approaches to portraiture and abstraction. Zachary Wirsum, SVP, Head of Department, Post War and Contemporary Art, says, “With a balanced equity of chance and design, our November Post War & Contemporary Art auction coalesced beautifully into a stunning presentation of compelling visual conversations between significant creative voices spanning the last seven decades of art making. There are both ahead-of-the-curve opportunities and sparkling covetable gems to chase, and we are extremely proud of what we are bringing to the block.” Lot 24 | Alex Katz, Portrait of Al Held, 1963 | Estimate $150,000 – 250,000 Lot 20 | Mickalene Thomas, The Inversion of Racquel #2, 2021 | Estimate $250,000 – 350,000 Classical Portraiture Reimagined The auction is anchored by imaginative explorations of portraiture—one of art history’s most enduring and adaptable genres. The Collection of Dr. Gary London, Washington, D.C., forms the nexus of this exploration, bringing together diverse perspectives on identity, representation, and the artist’s gaze. From this collection comes Alex Katz’s Portrait of Al Held (1963) (Lot 24, estimate: $150,000 – 250,000), a refined example of Katz’s pared-down, sharply flattened style. Katz, celebrated for his portrayals of friends and contemporaries, here turns his gaze to fellow artist Al Held, capturing the intimacy of friendship. Also featured is Gertrude Abercrombie’s Portrait of Eddie Millman (1936) (Lot 25, estimate: $60,000 – 80,000), painted during her early years with New Deal art programs. The portrait, one of the few full-body depictions in her oeuvre, reveals Abercrombie’s early experimentation with form and perspective. Her portrayal of Millman—a fellow Chicago artist associated with WPA mural projects—blends psychological depth with modernist abstraction, embodying the curiosity and confidence that would later define her Surrealist compositions. Adding to this conversation is Philip Pearlstein’s Two Models with Empire State Building, Night (1992) (Lot 34, estimate: $120,000 – 180,000). Known for his rigorous depictions of the nude, Pearlstein frames the figures against the distant glow of the Empire State Building, linking the intimacy of the studio to the expanse of the city beyond. Contemporary portraiture finds renewed expression in Kehinde Wiley’s Street Thug (2004) (Lot 21, estimate: $150,000 – 250,000), which reinterprets the grand tradition of Old Master portraiture by placing contemporary Black subjects in positions of power and visibility. Similarly, Mickalene Thomas’s The Inversion of Racquel #2 (2021) (Lot 20, estimate: $250,000 – 350,000) celebrates Black femininity through lush color, pattern, and texture, merging art historical references with a distinctly modern vision of identity and beauty. Fritz Scholder: Truth and Transformation A standout group of six works by Fritz Scholder—an artist for whom Freeman’s | Hindman holds the top auction price and has long been recognized as a market leader—continues the portraiture theme through a different lens. Leading the group is Insane Indian No. 25 (1972) (Lot 22, estimate: $100,000 – 200,000) from the Collection of Barbara Berger, a haunting depiction that challenges the romanticized stereotypes of Native American representation. Painted at a time of social and cultural upheaval, the work channels both personal intensity and broader commentary on identity and visibility. Scholder’s fearless approach—infused with the visual energy of Pop Art and the emotional immediacy of Expressionism—redefined how Indigenous subjects were seen in contemporary art, cementing his status as one of the most vital voices in post-war American painting. Mark Bradford’s Social Abstraction The top lot of the sale is Mark Bradford’s Untitled (a set of three works), 2007 (Lot 46, estimate: $300,000 – 400,000). Bradford’s mixed media works on paper hold a defining place in contemporary American art for the way they expand abstraction while anchoring it in the social realities of urban life. Drawing from the legacies of Abstract Expressionism and post-minimalist collage, he transforms everyday materials—end papers, posters, and signage from his Los Angeles neighborhood—into richly layered compositions that carry both formal and social weight. In the three-part suite offered here, he demonstrates how the modernist pursuit of innovation can coexist with deep social engagement, reaffirming collage and abstraction as vital tools for cultural excavation and renewal. Lot 5 | Charline von Heyl, Untitled, 2007 | Estimate $150,000 – 250,000 Lot 6 | Amy Sillman, Untitled, 2014 | Estimate $150,000 – 250,000 Property from a Distinguished Private Collection, Florida Freeman’s | Hindman is equally pleased to present Property from a Distinguished Private Collection, Florida, a curated session of seven works that exemplify the dynamism of contemporary painting. Among them, Charline von Heyl’s Untitled (2007) (Lot 5, estimate: $150,000 – 250,000) demonstrates her restless inquiry into what painting can be in the 21st century. Rejecting fixed categories, von Heyl’s layered, unpredictable surfaces invite the viewer into a space of visual and emotional discovery. Also featured is Amy Sillman’s Untitled, 2014 (Lot 6, estimate: $150,000 – 250,000). Sillman’s paintings occupy a lively space between abstraction and figuration, where color and gesture become tools for probing emotion and perception. Her compositions evolve through layers of paint that reveal traces of revision, creating a sense of movement and psychological depth. In Untitled, Sillman juxtaposes muted tones with flashes of saturated color—acidic greens, dusky purples, and soft pinks—to evoke tension and surprise. Through this interplay of color, form, and gesture, she redefines abstraction as a deeply human and emotionally resonant practice. Additional Highlights · Lot 19 Jacob Lawrence, Time, 1953 | Estimate: $100,000 – 150,000 · Lot 45 Sam Gilliam, Dorothy's Mondays, 1977 | Estimate: $100,000 – 150,000 · Lot 29 Dame Elisabeth Frink, R.A., Wild Boar, 1957 | Estimate: $100,000 – 150,000 · Lot 2 Ken Price, Boo, 2007 | Estimate: $80,000 – 120,000 · Lot 40 Bernar Venet, Two Arcs of 236.5° Each, 1988 | Estimate: $60,000 – 80,000 · Lot 52 Andy Warhol, Red Lenin, 1987 | Estimate: $50,000 – 70,000 Sale Preview The sale preview will be held at Freeman’s | Hindman’s New York gallery, 32 East 67th Street: November 6, 7, and 10–13 | 10am–4pm November 8 | 11am–4pm Closed Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s | Hindman is pleased to announce the appointments of Cori Pickett, Gus Dangremond, and Samira Farmer as Directors of Trusts, Estates & Private Clients, representing the firm in Scottsdale, AZ, the New York region, and Denver, respectively. Caroline Baker Smith also continues her tenure with Freeman’s | Hindman by relocating to Boston, where she now serves as Vice President, Trusts, Estates & Private Clients. These strategic additions reinforce Freeman’s | Hindman’s ongoing commitment to providing unmatched service and expertise to fiduciaries, attorneys, and private clients across the country. Caroline Baker Smith, Vice President, Trusts, Estates & Private Clients, recently relocated to Boston where she will lead the firm’s presence in New England. After nearly 10 years with a large global auction house, Caroline brings a depth of experience in meaningful appraisal and consignment solutions for estates of all sizes. Her relocation reflects Freeman’s | Hindman’s goal to grow its regional footprint by establishing a strong brand presence in the wider Northeast area. Cori Pickett, based in Scottsdale, brings a unique blend of institutional, academic, and design experience to her new role. She holds a BA in Studio Art and Art History from The University of Iowa and spent fourteen years in Washington, D.C., working with the National Gallery of Art and the Smithsonian Institution. Her most notable contribution includes her work on the curatorial team that built the collection for the National Museum of African American History and Culture, which opened on the National Mall in 2016. After returning to Iowa, Cori transitioned into interior design and higher education, teaching courses on architecture and design history. Currently completing her MA in Art Business at Sotheby’s Institute of Art, Cori is excited to support clients in the Southwest with thoughtful, personalized guidance and trusted auction and appraisal services. Gus Dangremond, joining the firm’s New York office, brings over a decade of high-level auction industry experience from Sotheby’s, Christie’s, and 1stDibs. He has led client strategy and business development initiatives across major sales, including the landmark David Gilmour Guitar Collection and the Collection of Richard Feigen. With a BA in Art History from Trinity College and an MBA from NYU’s Stern School of Business, Gus combines a deep knowledge of the art market with strong strategic acumen. He will focus on building relationships and serving clients throughout New York, New Jersey, and southwestern Connecticut. Samira Farmer, based in Denver, brings over two decades of experience in the auction, appraisal, and antiques industry, with deep expertise in decorative arts and market strategy. She began her career managing Decorative Arts & Silver for a Miami auction house, later moving to Los Angeles to support early e-commerce initiatives for a Beverly Hills gallery and assist with major appraisal projects. Samira joined Doyle in 2005 as Business Manager for the Mid-Atlantic Region, where she played a key role in business development and client engagement. She has worked on many significant estates and collections, offering trusted guidance and access to the New York auction market. She holds an M.A. in the History of Decorative Arts from Parsons School of Design and a fellowship from the Smithsonian’s American Art Library. Active in the arts and estate planning communities, Samira recently relocated to the Rocky Mountain region and now leads Freeman’s | Hindman’s efforts in Colorado and the surrounding area. “We’re delighted to welcome Cori, Gus, and Samira to our growing national team, and to support Caroline in her relocation to Boston,” said Molly E. Gron, Managing Director of Trusts, Estates & Private Clients at Freeman’s | Hindman. “Each of them brings deep expertise, integrity, and a client-centered approach that embodies the values of our department. With their leadership across four key regions, we are well-positioned to provide even more personalized service and thoughtful solutions to our clients and their advisors nationwide. Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Presented across two days and more than 350 lots, Freeman’s | Hindman’s European Furniture & Decorative Arts auction welcomed strong participation, with 14% of buyers new to the firm. An exceptional 88% of lots sold, realizing 115% of the total low estimate. The sale featured outstanding examples of Continental and English furniture, sculpture, and decorative arts spanning four centuries. Notable consignments included fine furniture, clocks, and Chinese Export porcelain from a California Collector; a Meissen chandelier and center table from a Private Collection in Tucson, Arizona; and striking bronze and marble sculptures from a Midwest Collector. Lot 1151 | An Italian Baroque Pietra Dura Panel | Sold for $89,400 The top lotof the sale was an Italian Baroque Pietra Dura Panel (Lot 1151) from a California Collector. Attributed to the Grand Ducal Workshops in Florence and dating to the early 17th century, the panel carried a pre-sale estimate of $10,000–20,000 but soared past expectations to realize $89,400—nine times its estimate. Another standout, an Italian Neoclassical Black Belgian Marble and Micromosaic Vase (Lot 1180), from the first quarter of the 19th century and attributed to Giacomo Raffaelli, drew significant attention. Featuring figures after Allegories of the Hours of the Day and Night by Michelangelo Maestri, the vase achieved $54,400, more than doubling its low estimate of $20,000. A Pair of Louis XVI Gilt and Patinated Bronze Four-Light Candelabra (Lot 1031), circa 1785 and attributed to François Rémond, also performed strongly, realizing $51,200against a pre-sale estimate of $15,000–25,000. Additional Highlights Lot 1056: Antoine-Louis Barye (French, 1795-1875), Thesée Et Le Minotaure Sold for $43,520 Lot 1128: A German Gilt Brass Quarter-Striking Automaton Clock with Lion,By Johann Ott Halleicher, Augsburg, Mid-17th Century Sold for $41,600 Lot 1127: A German Gilt Bronze, Ebonized and Lapis Lazuli-Mounted Automaton with a Reclining Hound,Augsburg, Second Quarter 17th Century and Later Sold for $38,400 Lot 1273: Percival Ball, Bacchu Sold for $35,200 Lot 1025: A Pair of Louis XVI Gilt Bronze Mounted Granito Rosso Vases, Circa 1775 Sold for $21,760 Lot 1299: A Set of Six 18-Karat Gold Mounted Agate Cups and Saucers, 20th Century Sold for $20,480 Lot 1100: Denis Pierre Puech (French, 1854-1942), La Sirène Sold for $19,200 Lot 1303: A Pair of American Gilt and Patinated Bronze and Carved Marble Figural Table Lamps, E.F. Caldwell and Co., New York, Circa 1915 Sold for $19,200 Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s | Hindman is pleased to announce American Historical Ephemera and Early Photography, Including The Larry Ness Collection of Native American Photography, taking place October 23–24 in our Cincinnati saleroom. This extraordinary offering comprises over 370 lots of rare, poignant, and historically significant material chronicling the American experience—from the Revolutionary War through the tumultuous reshaping of the Western frontier. Lot 231 | Detail, GARDNER, Alexander (1821-1882), photographer. Indians on Visit to their "Great Father." Washington, DC, 23 February 1867 Estimate $20,000 – 30,000 “It is our honor to offer such an incredible assemblage of historical photography, manuscripts, flags, and artifacts—most notably the lifelong Native American photography collection of Larry Ness of Yankton, South Dakota," said Katie Horstman, Associate Vice President, Sr Specialist, American Historical Ephemera and Early Photography. "The photographs speak to Ness’s deep admiration for the Indigenous peoples of the Great Plains region, telling their story through powerful images that begin in the latter half of the 19th century. These works, captured by some of the era’s most talented photographers—including A. Zeno Shindler, Alexander Gardner, Charles M. Bell, William Henry Jackson, and David F. Barry—offer a rare and moving visual record of a pivotal period in American history.” Part I: American Historical Ephemera and Early Photography October 23, 2025 | Over 220 Lots The first session of the auction offers a compelling survey of U.S. history, tracing the nation’s path from its founding to its defining conflicts and cultural evolution. Central themes include the advent of photography in 19th-century America, the Civil War, and the enduring legacy of Abraham Lincoln. Among the many highlights is an exceptional Civil War archive identified to George O. Currier of the 17th Maine Infantry, including his firsthand account of the Battle of Gettysburg (Lot 60); a striking sixth plate daguerreotype of an early American photographer posed with his camera (Lot 107); and a rare sixth plate daguerreotype by pioneering photographer Robert Cornelius, depicting Philadelphia gentleman William Jenkins (Lot 108). Of particular historical and emotional weight is a preserved shirt fragment worn by Abraham Lincoln at the time of his assassination—an artifact that encapsulates the national trauma of 1865 (Lot 166). Part II: The Larry Ness Collection of Native American Photography October 24, 2025 | Over 150 Photographs The second session features a selection of the lifelong collection of Larry Ness of Yankton, South Dakota. Comprising over 150 rare photographs, this session provides a visual chronicle of Native American history on the Plains, including the encroachment of settlers in the post-Civil War West. From stately studio portraits to candid views of camp life and haunting records of the aftermath of conflict, the Ness Collection offers an intimate portrayal of Native American leaders, warriors, and families during a pivotal era of forced cultural transformation. Highlights include a monumental mammoth plate photograph by Alexander Gardner depicting Sioux delegates at the White House, taken during their 1867 visit with President Andrew Johnson (Lot 231); a group of 24 CDV portraits of Sioux leaders at the Red Cloud Agency in Wyoming (Lot 292); and a remarkable collection of stereoviews captured by S. J. Morrow during General Crook’s 1876 expedition (Lot 307). “As I began collecting and researching Plains Indian art and artifacts like beadwork, quillwork, tools, and weaponry, I came upon published images of Plains Indians and soon found myself compelled to seek original photographs to enhance my collection,” Larry Ness reflected. What began with the discovery of a single arrowhead at age seven would become a lifelong endeavor to preserve and honor the legacy of the Plains peoples through photography. The Ness Collection features the work of some of the 19th century’s most accomplished image-makers, including A. Zeno Shindler, Charles M. Bell, William Henry Jackson, and David F. Barry. The images, while rooted in their time, speak to broader themes of identity, survival, diplomacy, and resistance—narratives that remain vital today. Additional Top Lots: · Lot 209 | [GOLD RUSH]. LARKIN, Thomas O. (1802-1858) | Map of the Valley of the Sacramento including the Gold Region. Boston: J.H. Bufford & Co and T. Wiley Jr., ca 1848 Estimate: $20,000 – 30,000 · Lot 1 | [REVOLUTIONARY WAR -- CONTINENTAL CONGRESS] | Journal of the Proceedings of the Congress, Held at Philadelphia, September 5, 1774. Philadelphia: William and Thomas Bradford, at the London Coffee House, 1774. Estimate: $10,000 – 15,000 · Lot 172 | [KENNEDY, John F. (1917-1963)]. Rocking chair used by President John F. Kennedy while staying at The Olympic Hotel during a visit to Seattle, Washington, November 1961. Estimate: $7,000 – 10,000 · Lot 119 | JACKSON, William Henry (1843-1942). Suite of 38 albumen photographs: Rocky Mountain Railroad Album, Steam and Steel Across the Great Divide, Silverton Colorado, Silverton Sultan, 1883. Estimate: $5,000 – 10,000 Sale Preview: Full Preview for American Historical Ephemera and Early Photography, Including The Larry Ness Collection of Native American Photography collection will be on view at 5030 Oaklawn Dr., Cincinnati, OH 45227. Preview Dates: October 21-22 | 10 AM—4 PM October 23-24 | 8 AM—10 AM Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s | Hindman, one of the nation’s leading auction houses, is pleased to announce the appointment of Alexis Vourvoulis as Vice President, Senior Specialist for Jewelry & Watches. Vourvoulis brings over two decades of deep expertise in high jewelry, global auctions, and luxury retail to her new role, where she will support the continued growth of the jewelry department serving New York and New England regions, while continuing the firm's commitment to client-focused approach to sales and curation. Vourvoulis most recently served as High Jewelry Team Manager at Tiffany & Co.’s Landmark Flagship, where she led client development, team training, and storytelling strategies that brought Tiffany’s heritage and craftsmanship to life. Her career includes senior positions at Phillips and Bonhams, where she specialized in antique, estate, and signed high jewelry, working closely with private clients, attorneys, and institutions as an expert appraiser. "Jewelry is one of the most personal forms of art: it carries memory, emotion, and identity in a way few objects can. Joining Freeman’s, America’s auction house since 1805, represents an exciting new chapter—one that allows me to merge scholarship, storytelling, and market insight within a team that values expertise and genuine connection. I’m passionate about helping private clients both sell and acquire exceptional pieces, guiding them through the process with transparency and appreciation for the story behind every jewel,” said Vourvoulis. “We are thrilled to welcome Alexis Vourvoulis to the team as we continue to expand in New York and the Northeast. She brings extensive knowledge in jewelry and watches, as well as a high touch approach to client service,” said April Matteini, SVP, Head of Department, Jewelry. Vourvoulis’s background uniquely combines scholarly insight with commercial savvy. She previously taught at the Sotheby’s Institute of Art, where she served as professor of Gems and Jewelry for the Master’s in Art Business program. Earlier in her career, she founded Bijoux Society in Paris—the first private tour company devoted to the history of jewelry—offering bespoke experiences in collaboration with Place Vendôme maisons and museums. Fluent in French and trained in both gemology and jewelry arts, she earned her Graduate Gemologist diploma from the Gemological Institute of America (GIA) in Carlsbad, California and studied jewelry arts & techniques at the Haute Ecole de Joaillerie in Paris, France. Alexis brings a rare blend of scholarly insight and commercial acumen to her work, bridging heritage and contemporary culture to connect clients more deeply with the art of jewelry. At Freeman’s | Hindman, she will help elevate the jewelry department’s profile across both legacy brands, leveraging her international network and nuanced understanding of historical and contemporary jewels to connect collectors and sellers with rare, important pieces—and the stories behind them. Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
On October 28, Freeman’s will present the fall edition of its Impressionist and Modern Art sale in New York featuring an exceptional selection of fresh-to-market works by Pablo Picasso, Gustave Loiseau, the brothers Jean and Raoul Dufy, as well as Vietnamese painters Le Pho, and Vu Cao Dam – both represented by a combined total of twelve works, thus reaffirming the house’s position as a market leader for their work.
On September 25 and 26, Freeman’s | Hindman showcased a carefully curated selection of paintings, sculptures, works on paper, prints, and multiples, attracting collectors from across the globe within their Post War and Contemporary Art and Prints and Multiples sales. Highlights included works by master artists such as Barry Flanagan, Gertrude Abercrombie, Jack Bush, Tom Otterness, Keith Haring, Julian Opie, Pablo Picasso and many others, inspiring spirited bidding throughout the two days of auctions. The sales achieved a notable combined total of $2,480,084, while also introducing a wave of new collectors to the firm, with 37% new buyers on day one and 21% on day two. Barry Flanagan (Welsh, 1941–2009), Hare on Curly Bell, 1980 | Sold for $191,000 Flanagan, Otterness, and Abercrombie Lead Strong Results; Bush and Riley Highlight International Demand Freeman’s | Hindman’s Post War & Contemporary Art auction achieved exceptional results, led by Barry Flanagan’s Hare on Curly Bell (1980), which realized $191,000 against an estimate of $150,000–250,000. Strong bidding also propelled Tom Otterness’s Kindly Gepetto (2001) to $76,700, more than doubling its $20,000–30,000 estimate. Further highlighting the sale, Gertrude Abercrombie’s Home Run at White Sox Park (1964) drew significant collector interest, selling for $102,100, far surpassing its $60,000–80,000 estimate. These results underscore the depth of demand for works by both celebrated and rediscovered artists. The auction also showcased international talent, with Jack Bush’s Piston (1967) achieving $95,750, well above its $50,000–70,000 estimate, affirming the enduring appeal of the Canadian painter’s vibrant abstractions. British artist Bridget Riley, a pioneer of the Op Art movement, likewise saw strong results as her Circles 3 Study 5 (2003) soared to $35,200, more than doubling its $15,000–25,000 estimate. These results highlight the strength of both post war abstraction and contemporary optical experimentation in today’s market. "We were thrilled to see spirited bidding from across all sectors of the collecting world in Thursday's Post War & Contemporary sale and it was especially invigorating to have such meaningful participation from first time bidders,” said Zachary Wirsum, Senior Vice President, Head of Department, Post War & Contemporary Art. “As ever, topflight, fresh to the market material by sought after makers caught the most looks and carried the day." Top Post War Lots: - Lot 59 | Barry Flanagan (Welsh, 1941–2009) | Hare on Curly Bell, 1980 | Sold for $191,000 - Lot 22 | Gertrude Abercrombie (American, 1909-1977) | Home Run at White Sox Park, 1964 | Sold for $102,100 - Lot 45 | Jack Bush (Canadian, 1909-1977) | Piston, 1967 | Sold for $95,750 - Lot 58 | Tom Otterness (American, b. 1952) | Kindly Gepetto, 2001 | Sold for $76,700 - Lot 48 | Joel Elias Shapiro (American, 1941–2025) | Untitled, 2001-07 | Sold for $54,400 Keith Haring (American, 1958-1990) Untitled (from Three Lithographs), 1985 Sold for $102,100 Prints and Multiples Auction Attracts 21% New Buyers, Led by Haring, Dürer, and Opie On September 26, Freeman’s | Hindman’s Prints and Multiples sale brought more than 100 lots to auction, achieving an impressive 93% sell-through rate—an indicator of both strong market demand and discerning collector interest. Notably, 21% of participants were new buyers, underscoring the category’s appeal. The top lot of the sale was Keith Haring’s Untitled (from Three Lithographs), 1985, which commanded $102,100, exceeding its estimate of $50,000–70,000. It was followed by Haring’s Pop Shop Quad II, 1988, which realized $57,600. Also performing strongly was a work by German master Albrecht Dürer, celebrated for his intricate woodcuts and copperplate engravings. Rounding out the leading lots was Julian Opie’s vibrant lenticular series Walking in London II (set of 5), 2014, which sold for $41,600. “We were thrilled to see such depth of bidding in today's Prints and Multiples auction,” said Monica Brown, Managing Director, Fine Art, Head of Department, Prints & Multiples. “There was strong interest in the session of Pop Art as well as the Old Master prints. The session of works by Keith Haring was a clear standout in the sale with the final prices more than doubling the pre-sale low estimate. This is indicative of the strong demand for works by Pop Art Masters in the current market.” Top Prints and Multiples: - Lot 21 | Keith Haring (American, 1958-1990) | Untitled (from Three Lithographs), 1985 | Sold for $102,100 - Lot 18 | Keith Haring (American, 1958-1990) | Pop Shop Quad II, 1988 | Sold for $57,600 - Lot 106 | Albrecht Dürer (German, 1471-1528) | Saint Jerome in His Study, 1514 | Sold for $51,200 - Lot 8 | Julian Opie (British, b. 1958) | Walking in London II (set of 5), 2014 | Sold for $41,600 - Lot 13 | Keith Haring (American, 1958-1990) | Flowers Yellow, 1990 | Sold for $38,400 Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s two-day Native American Art auctions, presented live in Cincinnati and online, surpassed expectations with a combined total of $1,428,766.
Fine art, particularly pieces by Pennsylvania Impressionists, drove a $693,632 day in Freeman’s | Hindman September 21 auction Garden Party: The Collection of Renny Reynolds. The collection of the famed landscape architect who literally wrote the book on party planning featured a remarkable collection of fine art, alongside 18th- and 19th-century American furniture, folk, and decorative arts, and over 150 volumes from Reynolds’ personal library on garden design and architecture. “Throughout this whole sale process Renny, along with his partner, Ateeq, have been an utter delight to work with,” said Alasdair Nichol, Freeman’s | Hindman’s Executive Vice President and Deputy Chairman. “Renny’s love for the beauty and spirit of his home in Bucks County, Pennsylvania shown through in every piece from the beautifully painted landscapes that donned his walls to the charming frogs and dogs that adorned his carefully curated antiques.” As a landscape architect, Reynolds has long championed the beauty and joy of gardens, turning his career into a lifestyle. His journey began in the 1960s with the opening of his first shop in New York City, soon followed by a commission from fashion icon Bill Blass to design a penthouse terrace garden. Over time, Reynolds’s client list grew to include Giorgio Armani, Diana Ross, Andy Warhol, and others. He planned legendary events at Studio 54—including the launch of Yves Saint Laurent’s Opium—and orchestrated receptions at the White House for Presidents Ford, Nixon, Reagan, and Clinton following his tenure in Washington. In 1972, he founded Renny Design for Entertaining, later Renny & Reed, and in 1992, published The Art of the Party, often referred to as “the party planner’s bible.” His achievements were recognized in 2008 with the Great American Gardener Award, the American Horticultural Society’s highest honor. Daniel Garber (American, 1880-1958) Sycamore and Elm, 1932 Sold for $57,600 A Vibrant Pictorial Language Reynolds’ deep affinity for the Impressionist painters of Bucks County, whose works mirror his reverence for both natural and designed landscapes, led to an exceptional collection that bidders couldn’t wait to get their hands on. The fine art section was the star of the day with 97% of lots offered in the category selling. Not surprisingly, it was the Pennsylvania Impressionists in particular that stole the show with the top 20 sale prices of the day, headlined by Daniel Garber’s (American, 1880-1958) 1932 work Sycamore and Elm (lot 4), which sold for $57,600 against a $50,000 low estimate. Other notable Pennsylvania Impressionists lots included: · Lot 18 | George William Sotter (American, 1879-1953) Roadside House SOLD FOR $44,800 · Lot 15 | Walter Elmer Schofield (American, 1867-1944) January Day, c. 1906 SOLD FOR $41,600 · Lot 3 | Charles Rosen (American, 1878-1950) Late Sunlight, 1907 SOLD FOR $38,400 · Lot 24 | Fern Isabel Coppedge (American, 1883-1951) In Full Bloom SOLD FOR $28,800 Record Breaking Results The firm managed to set an auction record for artist Bernard Badura (American, 1896-1986), selling Summer Haystacks (lot 6) for $20,480 and record the highest price for a Robert A. Darrah (RAD) Miller (American, 1905-1966) painting in over a decade, selling Sunset (Lot 5) for $17,920. Freeman’s | Hindman is no stranger to auction success for Miller, holding six of the top ten auction prices for the artists since 2005, including the top four prices since 2012. Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s | Hindman exceeded expectations at its September 19 Asian Works of Art auction, realizing $1,671,856—nearly double the pre-sale estimate. With 20% of buyers new to the firm and the sale achieving 141% by value, results underscored strong demand across categories. The auction presented a diverse range of Asian art, highlighted by works from distinguished private collections, including property from the Estates of General Han-Chien Chueh, banker Yiling Wang, Henry V. and Carol K. Nickel, the collection of Dr. Brian Salzberg, the collection of Edwin Hardy, and a second offering of Chinese gold jewelry from the RenLu Collection. LEFT TO RIGHT Xu Beihong, Rooster on a Rock | Sold for $89,400 Qi Baishi and Xu Beihong, Cat and Mice | Sold for $89,400 Ben Farina, Senior Vice President, International Representative, Asian Art, says “This sale is a culmination of our approach at Freeman’s | Hindman, where we focus on bringing together compelling works of great beauty and sharing their stories, and those of the collectors who have treasured and preserved these pieces for future generations.” From War Hero to Art Collector: Chinese Masterpieces Find New Homes The top lots of the sale were Chinese paintings, including Qi Baishi and Xu Beihong’s Cat and Mice (Lot 16) and Xu Beihong’s Rooster on a Rock (Lot 15), each estimated at $60,000 – 80,000 and both selling for $89,400. These works came from the estate of General Han-Chien Chueh (1901–1972) of Taiwan, a distinguished Nationalist commander during the Second Sino-Japanese War and a celebrated calligrapher known for his “Boyun style.” A close friend of Qi Baishi, Chueh amassed an extensive collection of paintings and calligraphy, portions of which were later donated to public institutions in Shanghai and Taipei. The present lots, consigned by his grandchildren, offered collectors a rare connection to both Chueh’s legacy and his friendships with China’s artistic masters. Wang Zhideng With Signature of Dong Qichang, and Chen Jiru | Sold for $32,000 Ming and Qing Masterworks from Banker Wang Yiling’s Estate The sale featured 16 lots of Ming and Qing painting albums and rubbings from the estate of banker Wang Yiling. The collection was 100% sold, realizing a total of $193,865 with premium—more than double the pre-sale low estimate. The top lot, Wang Zhideng’s Poems in Running Script, with signatures by Dong Qichang and Chen Jiru (Lot 24), skyrocketed past the pre-sale estimate of $3,000 – 5,000 to sell for $32,000, while Dai Xi’s Landscapes (Lot 28) realized $25,600. Born in 1881 in Neijiang, Sichuan, Wang studied in Japan, befriended painter Zhang Daqian, and later became a prominent banker and passionate collector. Portions of his collection are preserved in the Shanghai Museum and Library, while other works have appeared at auctions worldwide, including Hong Kong, Toronto, and Shanghai, offering collectors rare access to these historic treasures. A Pair of Japanese Bronze and Mixed-Metal Baluster Vases, Meiji Period, Late 19th Century | Sold for $54,400 Additional Auction Highlights Lot 265 | A Pair of Japanese Bronze and Mixed-Metal Baluster Vases, Meiji Period, Late 19th Century Sold for $54,400 Lot 49 | A Large Chinese Blue and White Porcelain Brush Pot, Bitong, Transitional Period, 17th Century Property from a Private Collection, Washington, D.C. Sold for $44,800 Lot 141 | A Pair of Chinese Silver Wire-Inlaid and Jade-Mounted Hardwood Hat Stands, 20th Century Property from a Distinguished Pennsylvania Collection Sold for $38,400 Lot 53 | An Imperial Chinese Blue and White Porcelain 'Dragon' Bowl, Kangxi Six-Character Mark and of the Period Collection of Margaret Chanler, Charleston, South Carolina. Sold for $35,200 Lot 258 | Hiroshi Yoshida, Rapid[s], Large format color woodblock print Property from the Collection of Mr. Dan Kastenmeier, Mount Prospect, Illinois. Sold for $35,200 Lot 275 | A Japanese Cloisonne "Bird and Peony" Panel, Workshop of Namikawa Sosuke, Meiji Period Property from the Estate of Henry V. and Carol K. Nickel. Sold for $35,200 Lot 11 | Zhang Daqian, Bamboo and Chrysanthemum Property from a Private Collection, Philadelphia Sold for $32,000 Lot 188 | A Chinese Gilt Bronze Figure of Weituo Pusa, Ming Dynasty Sold for $28,800 Lot 221 | A Fine Painting of Radha Meeting Krishna at the Hour of Cowdust, Godhuli, Punjab Hills, 19th Century Property from the Collection of Edwin Hardy, San Francisco, California. Sold for $28,800 Lot 181 | A Chinese Cloisonné Enamel Incense Burner, Qianlong Period Mark and Period Property from the Estate of Dan Parmalee Eells (1825–1903), thence by descent. Sold for $25,600 Lot 178 | A Chinese Canton Style Embroidered Silk Floor Screen, Late 19th-Early 20th Century Property from the collection of Mr. Robert H. Lee, Cincinnati, Ohio Sold for $23,040 Lot 198 | A Sino-Tibetan Gilt Silver Figure of Yamantaka Sold for $21,760 Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
The Freeman’s | Hindman Important Jewelry auction achieved an impressive $3,543,316 total with 91% of lots sold and a 117% sell-through by value. This auction featured distinguished collections from the Estates of Phyllis Pressman, Carol Hardin Davis, and Mary L. Bundy—all achieving white-glove results—alongside notable property from private collectors. “Yesterday’s results show the continued strength of the jewelry market, demand for signed pieces, and exceptional colored gemstones,” said April Matteini, SVP, Head of Department, Jewelry. “The top-selling lots, a Van Cleef & Arpels unheated Burmese ruby and diamond brooch (Lot 191), a Bulgari diamond necklace (Lot 42), and an unheated Ceylon sapphire (Lot 188), all more than tripled their low estimates. These top lots also had impeccable provenance, proving once again, jewels with stories are beloved by collectors.” Lot 32 | Sapphire and diamond necklace sold for $89,400 Property of Phyllis and Fred Pressman, the Family behind Barneys New York The highly anticipated jewelry collection from Phyllis and Fred Pressman captivated bidders, achieving a flawless 100% sell-through and realizing a remarkable $1,096,896. Highlights included a striking Bulgari, yellow gold and diamond necklace (Lot 42) from the 1980s, which sold for $140,200, and a matching bracelet, (lot 41) which achieved $86,225. The second leading lot was a dazzling cushion cut sapphire and diamond necklace (Lot 32), that achieved $89,400. This landmark sale was the first of five featuring property from the Pressman collection to be presented by Freeman’s | Hindman. Lot 168 | Antique, diamond and natural pearl necklace sold for $54,400 Jewelry from the Estate of Carol Hardin Davis The sophisticated collection of Carol Hardin Davis of Naples, Florida—encompassed an exquisite array of rubies, sapphires, and natural pearls, reflecting her refined taste and discerning eye—achieved a 100% sell-through, realizing a total of $1,204,054. Leading the sale was an important Van Cleef & Arpels Burmese ruby and diamond brooch (Lot 191) which sold for $171,950. This rare piece features three unheated Burmese rubies of exceptional quality and color. Another standout from the estate was a Ceylon sapphire and diamond ring (Lot 188), which achieved $140,200—more than triple its pre-sale estimate. The ring showcases an unheated emerald cut sapphire flanked by two half-moon cut diamonds in platinum—a timeless expression of elegance. Lot 70 | Colombian emerald twin stone ring sold for $92,575 Distinguished Collection from the Estate of Mary L. Bundy The jewelry from the estate of Mary L. Bundy of Massachusetts achieved strong results, with 100% of lots sold with several standout pieces. Colombian emeralds of exceptional quality led the sale, including a twin stone emerald ring (Lot 70), which sold for $92,575, and an Edwardian Colombian emerald and diamond brooch pendant (Lot 71), which sold for $60,800. Overall Top Lots Lot 191 | an important Van Cleef & Arpels Burmese ruby and diamond brooch | Sold for $171,950 Lot 42 | Bulgari, yellow gold and diamond necklace | Sold for $140,200 Lot 188 | Ceylon sapphire and diamond ring | Sold for $140,200 Lot 167 | Cartier, natural pearl and diamond earrings with additional carved emerald drops | Sold for $114,800 Lot 70 | Colombian emerald twin stone ring | Sold for $92,575 Lot 32 | Sapphire and diamond necklace | Sold for $89,400 Lot 41 | Bulgari, yellow gold and diamond bracelet | Sold for $86,225 Lot 18 | Van Cleef & Arpels, yellow gold, diamond, and colored diamond bracelet | Sold for $70,350 Lot 92 | Yellow gold and diamond ring | Sold for $64,000 Lot 71 | Edwardian, Colombian emerald and diamond brooch pendant | Sold for $60,800 Freeman’s | Hindman will round out the sale season with an Important Jewelry auction on December 11 in New York and is currently accepting consignments. Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.